The plastic ferris wheel is battery powered, and it had two modes: it could light up and the wheel would turn slowly. The ferris cars rock on the wheel, and the wheel has always been a little bit jerky in its motion, so the little plastic snowmen and penguins and beers and reindeer seemed to be waving cheerfully as the wheel turn. In the other mode you got the lights, the rotating wheel, and you got tinny versions of Christmas carols. It was like a dream come true for me, and my husband’s worst Christmas nightmare all in one!
I’ve had it for years. Every Christmas season since Kats gave it to me, I’ve unpacked it along with the ornaments we’re using that year, put batteries in it, turned it on to listen to the music at least once through its medley, then put it somewhere in the living room where I could see it. I would turn the ferris wheel on silent mode a few more times (since the music really annoys my husband). And I would turn the music on at least one more time before taking the batteries out and packing it away with the other ornaments.
Over the years there have been a few glitches. Pieces have broken off and had to be glued back on. One bit of fence broke off several times and eventually I had to admit that it was more glue than plastic and it couldn’t really be put back together. (Side note: in a testament to how awesome my husband is, he did spend some time trying to scan the broken bits to see if he could 3D print me a replacement.) One time a few years ago when I turned it on the ferris wheel wouldn’t turn. My husband fiddled with it and got it working again, but it was always with a more jerky motion than before. The motor was always loud enough to hear from across the room even when the music was playing. And over time the motor sound has gotten louder.
Then this last Christmas, when I put batteries in and turned it on, the lights came on, the motor made its usual sound, the wheel turned jerkily… and the music started to play, then glitched, then played a bit more, then glitched, and started to sound a bit off key. I thought maybe the batteries I put in were nearly dead, so I swtiched them out. Nope. The sound chip was definitely dying.
I set the ferris wheel up, because it’s still cheerful looking, and put off the decision of whether to keep or dispose of it until the end of the Christmas season.
Then we got the first official notification from the new owners of our building that they weren’t going to be raising anyone’s rent, no, they were going to evict all of us. They were applying for permits to do a major renovation to the building, and needed everyone out. They have a guesstimate it would be May or so when they would need everyone to go (once they got the permit process going, we got more official communication and a somewhat more certain timeline). That’s why, when I put the Christmas decorations away this last year, I pulled out all of the containers of decorations (we have way more than we can use in a given year), and went through them selecting stuff to get rid of. I reduced our collection by a bit (though we still have way too much). The ferris wheel, clearly, needed to go.
Except I wasn’t ready to let it go, just yet.
So, I didn’t pack it away nor throw it out. I moved it to the bookcase over by my favorite chair. It’s not Christmas time, but I don’t care. The ferris wheel gets to stay until we leave, I decided. Then it will be retired for good.
We have professional movers scheduled to come deal with the heavy furniture and whatever else we haven’t moved ourselves in about 10 days. So the ferris wheel’s end is looming. It’s just a thing. And as I recall, Kats said she bought it at a second hand place, so I’ve definitely gotten her money’s worth out of it. And my poor, long-suffering husband has already told me he’s going to buy me a new tacky Christmas thing to replace it this next year. So I shouldn’t feel too sad about it going. I am a little amused at myself to realize that some of my anger at the new owners (evicting everyone regardless is the least annoying thing they’ve done; there will be catty snarky blog posts about it eventually, but not now) has become focused on a few weird possessions.
The truth is that I probably would have gotten rid the the ferris wheel once the chip died even if we weren’t trying to reduce our hoard before me move. But I find myself blaming its demise on the new owners of the building. And maybe it’s a good thing to have something concrete to focus the annoyance on, you know? The ferris wheel, the tacky hanging lamp (I’ll talk about that after the move for… reasons), the rose trellises, and so forth are better ways to expend that kind of negative energy than some of the alternatives.
In December 1991 Ray and I were spending our first Christmas living in our own place. It was a tiny studio apartment whose windows overlooked an alley behind a bar. I was in the middle of getting divorced. Ray had had a recent significant job change that was complicated by the involvement of one of his exes. So we were both broke and most of our personal property was at least temporarily in someone else’s custody.
His mom or his sister had given us a small artificial Christmas tree that had been boxed up in a garage for some time. Ray came up with a few old strings of Christmas lights somewhere. We had bought a single box of very cheap glass ball ornaments in multiple colors, and a similarly cheap tinsel star tree-topper with a cluster of lights. So we had the small tree perched on a chest of drawers. It’s the kind of first Christmas stories lots of couples tell. One of the things I really liked about that silly star treetopper is that it looked exactly like one my parents had bought when I was a baby, and had been my childhood treetopper until sometime in grade school when they replaced it with an angel.
One weekend a couple weeks before Christmas, we helped one of Ray’s friends, Miss Lee. She was an older woman that Ray had met when he had worked as a nursing aide a few years before. She had only recently moved from a nursing kind of facility to a sort of assisted living apartment. It was the first time in years that she had had more than a single room of her own, and she had recently gotten a bunch of her things that had been in storage at a relative’s house, including a box of Christmas ornaments. She had been told she could have a tree and that the maintenance staff would take care of disposing of cut trees after the holiday. So she needed someone with a car to take her to buy a tree, and then help her set it up.
Miss Lee lived in the south end of Seattle, not far from one location of the former Seattle institution known as Chubby and Tubby. Chubby and Tubby started as an army surplus store run out of a tin shed in the Rainier Valley neighborhood of Seattle by two friends after they came home from serving in WWII. They moved to a bigger location in Rainier Valley in the mid-50s, then opened at least two other stores (the one in north Seattle being the one I shopped at most often), before the owners passed away, then eventually their heirs sold the locations and closed down the stores in 2003. Chubby and Tubby was a strange store that’s really hard to describe. They sold blue jeans and tennis shoes and fishing poles and tools and gardening things and… well, just a whole lot of weird stuff. Always cheap.
And every December, each Chubby and Tubby store offered Christmas trees for sale, cheaper than you could find them anywhere else. In the 80s and 90s the price was alway $5 a tree, no matter what size. I’ve talked to people who remembered during the 70s when Chubby and Tubby trees were only $3. The owners sold the trees at a loss. They said they wanted to make sure that people who couldn’t afford a Christmas tree could have one. The trees were usually Douglas Firs, and they were… well, they were never very symmetrical. They were never as scraggly as the proverbial Charlie Brown Christmas tree, but they were always unique. I had purchased at least a couple of Chubby and Tubby trees in the years before this particular December. We hadn’t bought one ourselves that year in part because I didn’t think we’d be able to dispose of it easily afterward. Also, the loaned artificial tree was even cheaper.
Anyway, Miss Lee wanted a Chubby and Tubby tree, in part because she had fond memories of getting trees from Chubby and Tubby when she was younger, but also because you can’t beat the price. Before we’d gone to the store, we had untangled her strings of very old lights and determined that at least one of them was probably a fire hazard and shouldn’t be used. So she also hoped to find a cheap string of lights or two at Chubby and Tubby as well.
It was less than two weeks until Christmas, and Chubby and Tubby was absolutely packed. It took Miss Lee a while to pick out her tree, mostly because she wanted one small enough to fit in the spot she’d chosen in her living room. And then there were strings of lights and ornaments to look at. There was one particular string of Christmas lights that Ray was very taken with. A string of a couple dozen lights with plastic teddy bears wearing Santa hats. It was at Chubby and Tubby, so it was cheap, but even cheap was out of our own budget at the time. Miss Lee wanted something simpler, with multicolored lights for her own tree. She offered to buy Ray the string of Teddy Bears, but he told her very firmly no.
At each check-out line they had a bucket of odd little brass keys. There was a contest. Every customer could pick a key out of the bucket, and then try the key on this Treasure Chest at the front of the store. If the key opened the chest, you’d get a gift certificate good for certain items in the store. Miss Lee told Ray to pick a key and give it a try. The key he picked unlocked the chest. Ray asked her what she wanted to use the gift certificate for, and Miss Lee said, “It yours.”And yes, the string of Teddy Bear lights was one of the things he could redeem the gift certificate for. So we took home the string of teddy bear lights.
We got the tree back to her place, got it set up, helped her put her lights on the tree and hang her ornaments. She told us little stories about each ornament as she unwrapped them. It was a fun day.
When we got home that night, Ray hung up the teddy bear lights in the window over our bed. That silly string of teddy bear lights hung either in windows or on our tree every Christmas for the rest of Ray’s life. Ray died mid-November of 1997, not quite six years after that first Christmas living together.
For Christmas 1997 I barely did any decorating. Ray had only been dead a few weeks at the time we would normally start pulling decorations from the basement. I knew if I started unpacking our ornaments and such I’d break down sobbing and I wasn’t sure I would stop. I barely felt brave enough to open the storage closet in the basement to pull out one of the smaller artificial trees that I knew I could get to without opening other boxes. I decorated using some ornaments and a string of lights Ray had purchased on sale somewhere a week or so before he died, thus they were already upstairs and they didn’t have a history of Christmases with him.
In 1998, as I unpacked boxes of ornaments, I broke down crying several times. Ray had loved Christmas so much, and so many of the ornaments evoked memories of when he had found that particular decoration and showed it to me in the store. Or times he had fussed with where to hang it to best show it off, et cetera.
Yes, one of the times I broke down was when I pulled the teddy bear santa lights from one of the boxes. I hung them in the bedroom window that year. The next several years I put the teddy bear lights up. At least once on the tree, but usually in one of the windows. The last few years I’ve gotten them out and looked at them, debating whether I should put them up. They’re more than 20 years old. At some point old electronics, even something as simple as strings of mini lights, break down and/or become fire hazards. So I would plug them in, look them over, and some years I’d decide to put them back in the box. But most years I have still hung them up.
Our building, which was the last home Ray lived in and has been my home for a bit over 20 years, has been sold and the new owners want to do major renovations. They’ve given us advance notice that everyone’s going to be evicted sometime before 2017 year is over. So this was my last Christmas in the place that was Ray’s last home. I’ve been… moodier than usual this holiday.
I put the teddy bear lights in the kitchen window. Every evening they turned on and shown their silly light until the wee hours of the morning. I checked them frequently, but they never showed signs of problems.
But when I took them down out of the window, I noticed that several stretches of the wire are stiffer than other sections. The plastic doesn’t actually crack when you bend it in those locations, but clearly 20-some years of use is taking its toll.
While we were packing things and taking the tree down, I was looking at all of our decorations with a critical eye. If we have to move, it would be silly to move old ornaments and lights we know we’re never going to use again. I now have a couple of big boxes of old light strings and the like to recycle, and a big pile of other decorations that I think are in good enough shape to donate, if I can find a place that will take them.
And those teddy bear lights (or at least the string itself) shouldn’t be used again. No one wants the lights to start a fire some December in the future. So its time to says good-bye to Ray’s teddy bear lights. 25 Christmases later, they’ve earned a rest.
Yes we need a rainbow Christmas,
Right this very minute!
My lyrics may be getting slurry,
But Santa dear, we’re in a hurry!
Fling ’round the glitter!
Put up more twinkling lights than the whole Vegas strip!
No need for fruitcake,
We’ve got a great big table of deliciousness,
Cause we’ve grown a little rounder,
Grown a little bolder,
Grown a little prouder,
Grown a little wiser,
And I need a toasty lover,
Snuggling by the fire,
I need a rainbow Christmas now!
We need a rainbow Christmas now!
And if you’d like something a big less sassy:
Pet Shop Boys – It Doesn’t Often Snow At Xmas (Live 2000)
(If embedding doesn’t work, click here.)
(I know the resolution on that isn’t great, but I love the live performance with the live boys’ choir. If you want to see a more glossy production with dancing Christmas trees, click here.)
The real Santa.
I’ve made an extensive study of the topic. Part of this is because for more than 20 years I’ve been writing at least one new Ghost Story to read at our Holiday party. And I’m the sort of obsessive writer who has to run down every rabbit hole of information even slightly related to any project I’m working on. So if you want to get an earful of information on St. Nicholas, various countries’ folklore surrounding Father Christmas, Sinterklaas, Ded Moroz/Grandfather Frost, Pere Noel, La Befana, Tomte, the Hogfather, or all 13 of the Jolasveinar, I’m your guy.
And then there are the companions or anti-Clauses: Krampus, La Pere Fouettard, and Black Peter. And allied mythical creatures such as Julesvenn, Julenisse, and Santa’s elves.
But all of those things are simply the means by which people have sought to encode into folklore the truth about Santa Claus. Fortunately, a version of the truth is being shared around and turned up on my Tumblr feed this week, so rather than paraphrase that, I’m just going to quote Charity Hutchinson:
In our family, we have a special way of transitioning the kids from receiving from Santa, to becoming a Santa. This way, the Santa construct is not a lie that gets discovered, but an unfolding series of good deeds and Christmas spirit.
When they are 6 or 7, whenever you see that dawning suspicion that Santa may not be a material being, that means the child is ready.
I take them out “for coffee” at the local wherever. We get a booth, order our drinks, and the following pronouncement is made:
“You sure have grown an awful lot this year. Not only are you taller, but I can see that your heart has grown, too. [ Point out 2-3 examples of empathetic behavior, consideration of people’s feelings, good deeds etc, the kid has done in the past year]. In fact, your heart has grown so much that I think you are ready to become a Santa Claus.
You probably have noticed that most of the Santas you see are people dressed up like him. Some of your friends might have even told you that there is no Santa. A lot of children think that, because they aren’t ready to BE a Santa yet, but YOU ARE. Tell me the best things about Santa. What does Santa get for all of his trouble? [lead the kid from “cookies” to the good feeling of having done something for someone else]. Well, now YOU are ready to do your first job as a Santa!”
Make sure you maintain the proper conspiratorial tone.
We then have the child choose someone they know–a neighbor, usually. The child’s mission is to secretly, deviously, find out something that the person needs, and then provide it, wrap it, deliver it–and never reveal to the target where it came from. Being a Santa isn’t about getting credit, you see. It’s unselfish giving.
My oldest chose the “witch lady” on the corner. She really was horrible–had a fence around the house and would never let the kids go in and get a stray ball or Frisbee. She’d yell at them to play quieter, etc–a real pill. He noticed when we drove to school that she came out every morning to get her paper in bare feet, so he decided she needed slippers. So then he had to go spy and decide how big her feet were. He hid in the bushes one Saturday, and decided she was a medium. We went to Kmart and bought warm slippers. He wrapped them up, and tagged it “merry Christmas from Santa.” After dinner one evening, he slipped down to her house, and slid the package under her driveway gate. The next morning, we watched her waddle out to get the paper, pick up the present, and go inside. My son was all excited, and couldn’t wait to see what would happen next. The next morning, as we drove off, there she was, out getting her paper–wearing the slippers. He was ecstatic. I had to remind him that NO ONE could ever know what he did, or he wouldn’t be a Santa.
Over the years, he chose a good number of targets, always coming up with a unique present just for them. One year, he polished up his bike, put a new seat on it, and gave it to one of our friend’s daughters. These people were and are very poor. We did ask the dad if it was ok. The look on her face, when she saw the bike on the patio with a big bow on it, was almost as good as the look on my son’s face.
When it came time for Son #2 to join the ranks, my oldest came along, and helped with the induction speech. They are both excellent gifters, by the way, and never felt that they had been lied to–because they were let in on the Secret of Being a Santa.
So, yeah, Santa is sometimes black, sometimes asian, sometimes young, sometimes old, sometimes a man, sometimes a woman, sometimes genderfluid. Santa is sometimes pagan, sometimes Buddhist, sometimes atheist, sometimes Jewish. When I’m fulfilling the duties of Santa, then you better believe that Santa Claus is as queer as a clutchpurse full of canaries.
Some people think that nothing can exist that is not comprehensible to their little minds (to quote the late Francis Pharcellus Church in his famous New York Sun editorial responding to a question from a little girl named Virginia). They think admitting those things exist somehow takes something away from them. That somehow kindness shown to some people must always cost someone else. And that’s just wrong. Any heart where love, generosity, and kindness abounds is the heart of Santa. And when you share kindness, you don’t lose it, you gain more.
I don’t think I realized that Williams was the host of a weekly musical variety show until he changed networks in the late sixties. As far as I know, our family never watched his show except for the one Christmas-themed episode each year. There were a lot of variety shows on network TV back then, and there were several that we watched faithfully every week. I’m not sure why Andy’s wasn’t one.
And the Andy Williams Christmas shows were hardly the only Christmas-themed specials and musical programs we watched every year. I know I loved watching all of them. When I was about 10 or so one of my cousins went on a bit of a rant of what a freak I was because I liked watching specials—why would anyone want to watch people sing, for instance? But I realize the Andy William’s specials stuck out in my head precisely because we had the albums, which included some of his own original songs (“It’s the Most Wonderful Time of the Year” and “A Song and the Christmas Tree”), so I could listen to them until I’d learned the lyrics, but also learned a lot of the harmony and counter-melodies and other vocal flourishes. So when those particular production numbers came up on screen, I could follow along.
I understand, now, why the cousin (and other relatives) thought I was a freak. I was the kind of boy who danced and sang along with the big theatrical production numbers in movies and on variety shows. I thought nothing of behaving that way in front of the family television. Which was quite entertaining for my adult relatives when I was a cute four-year-old, but much more disturbing as I got older.
When I got my own record player so I could listen to music in my bedroom, the Christmas season was when I’d close the door and imagine that I was the star of my own musical variety show, with the elaborate sets and costumes and the large groups of dancers and singers backing me up. I was worse than that. With careful use of a portable cassette recorder, the big stereo in the living room (when I was home alone), and some of those studio musician instrumental-only Christmas albums, I recorded my own Christmas shows. Not just me singing along with the instrumental albums, but then playing that recording over the stereo then with the recorder and a second (and third, and sometimes fourth) tape, recording myself singing the harmony parts along with myself.
Freak might have been putting it mildly.
I watched Williams’ faithfully into my teens. Even the really disastrously bad one that involved the cast (along with special guests Captain Kangaroo and Gomez Addams) are transported to Rock Land and Doll Land and I don’t remember where all else in a strange attempt at an original Christmas fable that made no sense…
When Williams’ weekly series ended, he signed a deal with the network to produce three or four seasonal specials a year, and one of those each year was a Christmas special.
Williams’ work weren’t the only Christmas albums I sang along with. And they aren’t the only old albums of that vintage that I’ve since tracked down and added to the insane amount of Christmas music that resides on my computers and phone. But even now when I find newer recordings by modern singers and bands that I like, I find myself imagining those songs performed on a stage in the style of one of the Williams’ Christmas episodes, with the costumes, sets, fake snow, and multi-camera coverage.
And sometimes, especially if I’m listening during the long walk home each night from the office, you may still catch me at least doing jazz hands while I sing along. Might as well make a production out if it, right?
We are staying at home for Christmas. Mom has been talking about a facetime call, but that’s a lot less grueling than being in the actual room with folks who cheerfully try to claim that they aren’t homophobic because they love me despite my lifestyle and that I’m clearly going to hell and that allowing us to get married is going to destroy the world.
For many years what we did was alternate which holiday we spent at Mom’s, while staying home for the other. When Mom was still working (she worked in retail for decades), which holiday she didn’t have to work dictated which one we came down for. Now that we no longer have that issue, we’ve tended to stick with Thanksgiving there and Christmas at home. One reason I do that is because, well, there’s a lot less god-talk on Thanksgiving.
Despite the fact that I can still recite from memory the entirety of the second chapter of the Gospel of Luke, and can sing “O, Holy Night” in three languages, and love to sing along to Christmas hymns such as “Angels We Have Heard On High,” I don’t look at Christmas the way my Bible-thumping relatives do. I’m taoist, now, and Christmas is the season of twinkling lights and mistletoe and brightly wrapped presents and eggnog and ginger cookies and times laughing with friends. My husband is pagan, and has an even lower tolerance for the “baby Jesus stuff” than I do. I expend a bit of effort crafting Christmas music playlists that don’t contain any of the religious music to play around him. I still listen to the hymns and such, I just use headphones or listen when he’s not around.
So what is our Queer Christmas like? How does a gay taoist and his pagan bisexual husband celebrate yuletide? We put up a tree every year. We usually have a theme. This year’s is Up In the Air, built around a tin zeppelin toy my hubby got last year. So the tree has all my Star Trek ornaments and all his Star Wars ornaments, and a bunch of or My Little Pony pegasus figures, plus birds and flying reindeer and several Santas, my Marvin the Martin ornaments, lots of moons and stars. One plastic flying Santa sleigh & reindeer was a table decoration that belonged to my great-grandmother. There are also three glass ball ornaments (one pink, one lime green, and one red) with glitter that also belonged to that grandmother. They go onto the tree somewhere every year no matter what the theme is.
I make two wreaths every year. One goes on the inside of the front door, and one on the outside. We have lights that go in the windows. I have too many lights, so I have to decide which ones to put up each year. We also have some lights for the shrubbery outside, and some cheesy decorations that go on the lawn. We sometimes wear Santa hats at social gatherings during the season. We send presents (and some years Christmas cards) to friends and relatives.
We own a lot of Christmas movies and Christmas specials. I watch some of them during the weeks leading up to the holiday. I could do a multi-day marathon of just my adaptations of A Christmas Carol. And I may very well have done exactly that at least once. We frequently watch a bunch together on Christmas Eve.
Every year we host or co-host a holiday get-together with a particular set of friends. The annual party includes the Ghost Story Challenge: I pledge to have an original Christmas Ghost Story to read each year, and challenge other people to bring a story, or sing a song, or otherwise share something with the group. There’s a lot of food, a lot of laughter, and there’s a gift exchange.
On Christmas morning we check our stockings to see what Santa brought. We open presents from family members and each other. We spend the day either watching more Christmas movies, or playing with our new toys, and making dinner. We have this bad habit of making way too much food for just the two of us, but we each have some traditional dishes we like to have, and we also like to experiment with new foods. At least we always have leftovers!
In other words, our celebration of this mid-winter holiday probably sounds an awful lot like everyone else’s. We don’t have drunken orgies. We don’t decorate our Christmas tree with sex toys. We don’t perform weird anti-Christian rituals. We don’t call for the oppression of our more overtly religious relatives or neighbors. We both say “Merry Christmas” at least as often as we say “Happy Holidays!”
We’re not making war on Christmas. We’re not trying to ruin anyone else’s holiday.
So why are anti-gay groups posting pictures of the White House lit up in rainbow lights from a couple of years ago with captions saying, “Trump should project Merry Christmas on the White House! That will show them!”
Show us what? That their ability to make false equivalencies knows no bounds? That they think being asked to treat people who believe differently than them with respect is oppression? We’ve known that for a long, long time.
We’re not the ones disrespecting the message of the Prince of Peace, who told his followers to love their neighbors as themselves, to love their enemies, bless those that curse the, and do good to those that hate them. In that way, our queer Christmas is a lot closer to the message of Christ than anything they’re doing.
We both agreed that Maria and the little bird from “The Gift” (this is the song that ends with the line, “As her offering was lifted to heaven
By the very first nightingale’s song”) or the poor little boy in “The Christmas Shoes” don’t fall into this category. I even argued that the Little Drummer Boy shouldn’t be included. Frosty and Rudolph are anthropomophized—non-human characters given human-like traits, or at least a human-like story line. Whereas the bird in “The Gift” never does anything that a real bird wouldn’t do.
And characters that were originally created in other media who happen to have subsequently been given a song when someone decided to try to make a television special or direct-to-video show about the character shouldn’t count, either. So as wonderful as The Grinch is (and how could he not be, having been created by Dr. Seuss?), he shouldn’t be offered as an example of a Rudolph competitor. And while Jack Frost appears in a couple of songs, (“Jack Frost nipping at your nose,” and “Little Jack Frost Get Lost”) he first was mentioned in poems back in the late 1700s, and often as simply an allusion to the cold rather than a full-blown personification.
Once you listen these other songs, it’s not much of a surprise why they’ve never caught on. For instance, “Chrissy the Christmas Mouse” has no story. I mean, “Frosty the Snowman” doesn’t have much of a plot, but compared to Chrissy, it’s practically Crime and Punishment! Chrissy is a mouse, who lives in Santa’s house, and she wants to go with Santa on Christmas Eve. So Santa asks Mrs. Claus if Chrissy has done her chores, and Mrs. Clause says “yes,” and Chrissy goes.
“The Little Blue Bell” has a plot, sort of. There’s this little blue bell in a church steeple, right? Except the little blue bell can’t ring. No matter what, it’s silent. How can it be a bell if it can’t right? And why is it still up in the steeple if it is broken? So the song tells us over the course of three verses, that the blue bell is sad up in that steeple every Christmas Eve because it can’t right. If I were a bell that couldn’t ring, it would seem to be that it would bother me more than just one night a year, right? Anyway, in the final verse, an angel appears and tells the bell it’s there to dry its tears. And then the angel does some angel-y magic, and transforms the bell into pure gold, and now the bell can ring. And the bell is so proud! And that’s the song.
So apparently the reason the bell couldn’t ring was because blue metal is somehow silent? What’s the moral? Suffer long enough but otherwise do nothing and an angel might come and transform you into a different race or whatever (what else is the blue can’t ring, but gold rings beautifully supposed to be a metaphor of?)? It’s just weird.
Not that Rudolph is much better. As I pointed out last week, it can persuasively be argued that Rudolph’s moral is that nonconformity will be punish until it can be exploited. Not exactly uplifting.
Of course, if you think too hard about the story line of just about any song out there it can be pretty crazy making.
So maybe I should stick to characters like Scrooge and leave the songs to songwriters.
I much prefer some of the earlier pieces written on the topic: 2013’s Rudolph the Red-Nosed Reindeer: A Gay Christmas Allegory, for instance. Or 2012’s Coming Out In Christmastown. Then there’s 2011’s I’ll Never See Rudolph the Same Way Again Less involved is 2005’s Is Hermy Gay? Sixteen serious questions raised by the 1964 holiday classic Rudolph The Red-Nosed Reindeer. In Michael Salvatore’s novel Between Boyfriends there is an entire chapter in which his protagonist talks about recognizing at age 6 the gayness of Hermy and Rudolph (and specifically that he was like them).
I even wrote something about it once. I thought I had published it on my Sans Fig Leaf page, but a search of my old archives proved it was even longer ago than that. It must have been when I blogged on Geocities, which means it was sometime before April, 1998! And it also means I don’t have a copy of it any longer. Which might be a good thing.One of the reasons I don’t think of Hermy and other aspects of the 1964 Rudolf the Red-nosed Reindeer as subtext is because every time my family watched it during my childhood, Dad would make jokes about the “fag elf.” In addition to the annual repeat of crude comments about Rudolph and Clarice when the narrator refers to Rudolph having grown up, at least one year he wondered aloud about the relationship between the “fag elf” and Yukon Cornelius in rather graphic terms.
I was four years old when the Rankin-Bass special first aired on NBC TV. I don’t have specific memories of that first broadcast, but because a few years later I have very distinct memories of being dismayed that one song and scene which I have very clear memories of weren’t in the show, I know that I had to have watched the original broadcast. In the original broadcast, Santa is never shown going to the Island of Misfit toys to deliver them to children. A scene showing that was added in 1965. They made room for it by replacing Rudolph and Hermy’s “We’re a Couple of Misfits” musical number with a shorter song, “Fame and Fortune” and by removing a scene at the end where Yukon Cornelius discovers a peppermint mine. Over the years other changes were made to the original show, including a re-edited and shortened version of “We’re a Couple of Misfits” being added back in. And other techniques to make room for more commercials resulted in the music that remained sometimes sounding warbling and distorted.
But to get back to the subtext question: I think you would have to be extremely naÏve not to recognize Hermy, at least, as gay. Certainly my dad thought it was obvious!
Years later, someone asked Arthur Rankin, Jr, whether there was a gay message to Rudolph the Red-nosed Reindeer, and he denied it. However, while Rankin and Bass ran the studio and were intimately involved in directing and producing the many shows their company made over the years, the actual scripts were almost always the work of Romeo Muller, a gay Jewish man from the Bronx. Mullee, along with artist Jack Davis, and actors Paul Frees and Paul Kligman are usually credited with the many Jewish allusions and subtexts that are obvious in other Rankin-Bass Christmas specials, such as Santa Claus is Coming to Town (the Burgomeister Meisterburger had toys burnt in a town square in a scene that looks a lot like footage of historical Nazi book burnings, and his guards all wear actual Prussian uniforms, for goodness sake; and don’t tell me that the Winter Wizard isn’t supposed to sound like someone’s Jewish grandfather!) or The Little Drummer Boy. So it doesn’t seem that big of a stretch to imagine that Muller wrote Hermy as gay.
In 1964 and for a few decades before that, movies, television shows, and plays often featured a stock character referred to now as The Sissy. The Sissy was a closeted predecessor of the Sassy Gay Friend. Some people argue that Hermy is just another instance of the Sissy, but there’s one problem with that interpretation. The Sissy was never a hero or the sort of supporting character with his own subplot. He might be a friend and ally of the hero or the heroine (much more often the heroine), but he was merely there to deliver jokes or be the butt of jokes. Meanwhile, I think what made Hermy worthy of commentary by my dad (while he almost never made comments about the archetypical Sissy in other shows) is that Hermy in not comic relief. Hermy has his own subplot. He doesn’t just help Rudolph find acceptance, he realizes his dream. He escapes societal expectations of being a toymaker and becomes a dentist.
You can argue that this is just a parallel to Rudolph’s journey from ostracized freak to valued leader of Santa’s team of flying reindeer, but they wouldn’t have had to give Hermy those Paul Lynde speech patterns, bright pink lips, and that very twink-like swoosh of blond hair (when the only other elves who have hair are definitely women) to do that. Hermy was an obvious, if closeted, queer character. And instead of being the butt of other characters’ jokes, he was the secondary lead. He’s the one who defeats the Abominable Snowman, after all!
I won’t get into all the reasons that the actual villains of this story are Santa, Donner, and Comet. Other people have covered that pretty well. Just as many have argued that the lesson of this special (and the 1949 song, and the 1939 book) is that deviation from the norm will be punished unless it is exploitable. Yeah, there are some problematic aspects to a lot of these old stories.
I still love this version, though, and not the least of the reasons is because the “fag elf” gets a happy ending.