Bigot Bulletin: Principal and Police Officer who harassed students at Oregon high school are both fired
For some background: Gay teen says she went to school resource officer after getting bullied — and he told her she’s going to hell. The “resource officer” is a local police officer assigned to the school supposedly for the purpose of protecting the students. But he wasn’t the only problem. The principal of the school punished gay kids who reported incidents of being harassed (including at least one incident where the principal’s son nearly ran two of the other kids down with his car while yelling anti-gay slurs). Teachers who tried to help the kids in varying ways were retaliated against by the Principal and the district Superintendent, and so on.
So the Oregon Department of Education sent in an investigator. The local officials admitted to several issues, including that they had forced the gay kids to read and recite passages from the Bible as part of their punishment. The ODE investigator issued a report finding that the actions of the officials probably constituted illegal discrimination under Oregon law as well as a violation of the U.S. Constitution’s requirement of separation of church and state. A final finding was pending, but the state ordered to school district to come to a settlement with the kids and their parents by the end of April. They didn’t.
During that time, many more former and current students came forward, with more incidents of anti-LGBT and racial discrimination. Meanwhile, the ACLU was pursuing a lawsuit against the district.
Monday things came to a head: ACLU OF OREGON REACHES SWEEPING SETTLEMENT WITH NORTH BEND SCHOOL DISTRICT OVER LGBTQ DISCRIMINATION AND BIBLE READING.
- Principal fired
- District dismisses Resource Officer and requests local police assign a new officer
- District will create a diversity committee (keep in mind that teachers already tried to set up a Gay-Straight Alliance and were stopped by the principal) which will hold celebrations for Coming Out Day and Ally Week and will issue an annual report on how the school is doing on issues of diversity, inclusion, et cetera
- District will hire an anti-discrimination expert to help them craft policies to appropriately respond to harassment and discrimination
- District will donate $1000 to a local queer support group
Additionally, as a result of the state investigation, the district will be under supervision of the state ODE for at least five years while all of this is monitored. The remaining bit of less than awesome news from my point of view on this is that even though the state’s investigation and the discovery process of the lawsuit found that the district Superintendent knew about all of this and committed some of the retaliation from teachers who tried to help the queer kids, he isn’t being fired. Maybe everyone assumes with the state breathing down his neck he’ll behave?
I get such a bee in my bonnet on these stories because of my own experiences being bullied as a kid. More than one teacher and administrator told my parents that until I acted like “the other boys” or “normal” there was nothing they could do to prevent the bullying incidents. Never mind that some of the worst bullying came from teachers. In middle school I was called “faggot” and “sissy” by four specific teachers far more often than most of the other kids. And then there was the time I was the one threatened with expulsion for being bullied again and again, unless I attending regular counseling sessions where, apparently, the counselor was trying to teach me to act like a normal boy.
A lot of people think that those kinds of days are behind us, but these incidents happening for the last several years at this school are merely one of many such cases. Fortunately, the ACLU keeps coming in to represent the students, and again and again the districts wind up paying big penalties for their discrimination, bigotry, and bullying. As Dan Savage has asked (many times) when will public school administrators get it through their thick heads?
And I agree with Dan on another thing. This story is a good reminder to go make a donation to the American Civil Liberties Union of Oregon!
He had submitted a set of lyrics to the committee for a song that he hoped the chorus might sing in an upcoming Pride concert. In order for us to have performed the song, the chorus would have had to hire a composer to come up with music to accompany the lyrics, and an arranger to convert that melody into four-part harmony and some sort of accompaniment. As it happened, two years previously when those lyrics had been submitted, I had also been on the committee, serving as the secretary of the committee, and I remembered the meeting where we had evaluated music suggestions that had been submitted for consideration. And I remember reading the lyrics and being underwhelmed—it wasn’t just that it was rather trite poetry of the kind you might expect someone’s grandparent to stick up on the wall somewhere, but it had ended on a defeatist note about staying in the closet rather than being out.
So it had been one of the pieces eliminated early by the committee. We had a very limited budget to hire composers/arrangers, and we all agreed this thing wasn’t worth it.
I was a bit stunned to be sitting there, listening to this guy who had decided to use my recent bereavement as an excuse to bring out this ax to grind, and was trying to figure out how I could possibly respond, when he made the comment that crystalized the real problem. He said, “I don’t know if you know what it’s like when you just really, deeply, sincerely wish to have had your music published, but you never got to go to school to learn music theory or how to arrange music because your family couldn’t afford it. I don’t know if you know how much it hurts that someone who knows how to do that won’t turn the words you’ve written into a song for you.”
He didn’t say that he sincerely wished to make music. No, what he said was that he sincerely wished to have music that someone else made but that he could take credit for produced.
I understand the frustration of not being able to do the whole package. I’m not very good at the art side of things, so if I go the indy publishing route, I’m going to have a difficult (and expensive) time getting good cover art for my books. While arranging is a different skill set than writing music or creating lyrics, it’s something you can learn without having majored in music in university. And particularly when one is in their fifties (as this guy was) and had supposedly been trying to become a songwriter for decades, how can he think it’s okay not to have ever even learned how to read music (yes, he was the kind of chorus member who could only learn the part if someone who could read music sang the melody in his ear).
Some would say I don’t have proper sympathy because I took band and orchestra and various vocal classes in high school, and for one year my major in college was music education (I changed majors a lot: math ed, music ed, communications, journalism, then back to math without the ed part…). But the reason I was in so many different musical groups playing so many different instruments back in the day wasn’t because my family paid for lessons for each of those instruments. Public school teachers taught me to read music and how to almost play the viola and later to play the trumpet. But I taught myself how to play bassoon, ephonium, trombone, french horn, flute, bass clarinet and a bunch of others. And while I’ve only finished full arrangements of a few songs over the years, no one taught me arranging, I taught myself.
I’m not saying that finding teachers isn’t worth it, but I am saying that if you want to be good at something, you have to be willing to work for it. Yes, it is harder for those of us who come from working class families. There are many social, financial, and other systemic barriers to many opportunities in this world.
But there is a point where you need to realize that before you can be a star, you have to learn how to make music (or how to write a story, or how to draw a picture…).
Some people never get that.
And some of them are people who seem to have successful careers in the arena which they aren’t really very good at. These folks have enough privilege to fail their way into middling success. Because of connections and so forth, these guys (it is most often a white guy from an upper middle-class or better background) get jobs where they have some responsibility to create (or direct the creation of) something, and they screw up in various ways, they make promises they can’t keep, but they have an assistant (almost always a woman) who cleans up for them. Anyone who has worked in a large office knows this woman: she may have a title like Executive Assistant or even rarely Office Manager, but the upper management people she reports to clearly think of her as a secretary; but she’s the one that actually makes everything happen. She knows how to work projects through finance. She “cleans up” the boss’s presentations. She smooths things over when morale is down or people are angered by things the boss said or did. She finds solutions to the contradictory instructions.
It doesn’t just happen in boring corporate locations. Lots of people in creative positions are just like those bosses. They make decisions that contradict other things they’ve said. They order people to do things that won’t actually work. They write scripts full of clunky dialog, if that’s part of their project. And other people “clean things up.”
That’s how you get someone who can’t direct an interesting movie to save his life being paid to make one loser after another. It’s how you get best-selling authors who throw temper tantrums when someone writes a critique of their work who are flabbergasted when someone holds the page in front of them and shows them that yes, that passage did come out of their work. That’s how you get senior partners at law firms who had an extensive and impressive record as a prosecutor, when deprived of their phalanx of assistants making blatantly incorrect declarations of the law and actually further incriminating their client in television interviews.
And sometimes, apparently, it’s how you get someone clueless enough to use a supposed condolence call to whine about why other people won’t compose and arrange music to accompany their mediocre poetry.
If you really want to be a rock star, you have to learn to rock and roll. Otherwise, you’re no different than a lip-synching puppet.
Another in my series of posts recommending web comics that I think more people should read:
Madeline McGrane is a cartoonist and illustrator who is from Wisconsin and lives in Minneapolis. She posts vampire-themed comics and other art on her tumblr blog. My favorites are the vampire comics about three child vampires. They’re just silly. Her black and white comics are minimalist and really work well with her style of humor. Her color work is a bit more complex. If you like her work and want to support her, she has a ko-fi.
Some of the comics I’ve previously recommended: Some of these have stopped publishing new episodes. Some have been on hiatus for a while. I’ve culled from the list those that seem to have gone away entirely.
Check, Please! by Ngozi Ukazu is the story of Eric “Bitty” Bittle, a former junior figure skating champion from a southern state who is attending fictitious Samwell College in Massachusetts, where he plays on the men’s hockey team. Bitty is the smallest guy on the team, and in the early comics is dealing with a phobia of being body-checked in the games. He’s an enthusiastic baker, and a die hard Beyoncé fan.
“Manic Pixie Nightmare Girls” by Jessica Udischas is a hilarious web comic that tells of the adventures of Jesska Nightmare, a trans woman trying to make her way in our transphobic world. The comics are funny, insightful, and adorably drawn. The sheer cuteness of the drawing style is a rather sharp contrast to the sometimes weighty topics the comic covers, and I think makes it a little easier to keep from getting bummed out to contemplate that the strips aren’t exaggerations. If you like the strip, consider supporting the artist through her patreon.
Life of Bria by Sabrina Symington is a transgender themed comic that ranges from commentary to slice of life jokes and everything in between. Even when commenting on very serious stuff it remains funny—sharp, but funny. It’s one of the comics that I would see being reblogged on tumblr and lot and I’d think, “I ought to track down the artist so I can read more of these.” And I finally did. And they’re great! If you like Symington’s work, you can sponsor her on Patreon and she has a graphic novel for sale.
The Junior Science Power Hour by Abby Howard. is frequently autobiographical take on the artist’s journey to creating the crazy strip about science, science nerds, why girls are just as good at being science nerds as boys, and so much more. It will definitely appeal to dinosaur nerds, anyone who has ever been enthusiastic about any science topic, and especially to people who has ever felt like a square peg being forced into round holes by society.“Stereophonic” by C.J.P. is a “queer historical drama that follows the lives of two young men living in 1960s London.” It’s a very sweet and slow-build story, with good art and an interesting supporting cast. But I want to warn you that the story comes to a hiatus just as a couple of the subplots are getting very interesting. The artist had a serious health issue which was complicated by family problems, but has since started posting updates to his blog and Patreon page, assuring us that the story will resume soon. If you like the 300+ pages published thus far and would like to support the artist, C.J. has a Patreon page, plus t-shirts and other merchandise available at his store.
The Young Protectors: Engaging the Enemy by Alex Wolfson begins when a young, closeted teen-age superhero who has just snuck into a gay bar for the first time is seen exiting said bar by a not-so-young, very experienced, very powerful, super-villain. Trouble, of course, ensues.
Tripping Over You by Suzana Harcum and Owen White is a strip about a pair of friends in school who just happen to fall in love… which eventually necessitates one of them coming out of the closet. Tripping Over You has several books, comics, and prints available for purchase.
“Deer Me,” by Sheryl Schopfer tells the tales from the lives of three friends (and former roommates) who couldn’t be more dissimilar while being surprisingly compatible. If you enjoy Deer Me, you can support the artist by going to her Patreon Page!
Scurry by Mac Smith is the story of a colony of mice trying to survive a long, strange winter in a world where humans have mysteriously vanished, and food is becoming ever more scarce.
And I love this impish girl thief with a tail and her reluctant undead sorcerer/bodyguard: “Unsounded,” by Ashley Cope.
Muddler’s Beat by Tony Breed is the fun, expanded cast sequel to Finn and Charlie Are Hitched.
Fowl Language by Brian Gordon is a fun strip about parenting, tech, science, and other geeky things. The strips are funny, and he also has a bonus panel link to click on under the day’s strip.
The Last Halloween by Abby Howard is the creepy story of 10-year-old Mona who is reluctantly drafted to save the world on Halloween night. This is by the same artist who does the Junior Science Power Hour. She created this strip as her pitch in the final round of Penny Arcade’s Strip Search, which was a reality game show where web cartoonists competed for a cash prize and other assistance to get their strip launched. Though Abby didn’t win, she started writing the strip anyway. If you like the comic, you can support Abby in a couple of ways: she has some cool stuff related to both of her strips in her store, and she also has a Patreon.
Last Kiss® by John Lustig Mr. Lustig bought the publishing rights to a romance comic book series from the 50’s and 60’s, and started rewriting the stories for fun. The redrawn and re-dialogued panels (which take irreverent shots at gender and sexuality issues, among other things) are syndicated, and available on a bunch of merchandise.
“Champion of Katara” by Chuck Melville tells the tale of a the greatest sorcerer of Katara, Flagstaff (Flagstaff’s foster sister may disagree…), and his adventures in a humorous sword & sorcery world. If you enjoy the adventures of Flagstaff, you might also enjoy another awesome fantasy series set in the same universe (and starring the aforementioned foster sister): and Felicia, Sorceress of Katara, or Chuck’s weekly gag strip, Mr. Cow, which was on a hiatus for a while but is now back. If you like Mr. Cow, Felicia, or Flagstaff (the hero of Champions of Katara) you can support the artist by going to his Patreon Page. Also, can I interest you in a Mr. Cow Mug?
If you want to read a nice, long graphic-novel style story which recently published its conclusion, check-out the not quite accurately named, The Less Than Epic Adventures of T.J. and Amal by E.K. Weaver. I say inaccurate because I found their story quite epic (not to mention engaging, moving, surprising, fulfilling… I could go on). Some sections of the tale are Not Safe For Work, as they say, though she marks them clearly. The complete graphic novels are available for sale in both ebook and paper versions, by the way.
Oglaf, by Trudy Cooper and Doug Bayne is a Not Safe For Work web comic about… well, it’s sort a generic “medieval” high fantasy universe, but with adult themes, often sexual. Jokes are based on fantasy story and movie clichés, gaming tropes, and the like. And let me repeat, since I got a startled message from someone in response to a previous posting of this recommendation: Oglaf is Not Safe For Work (NSFW)!
Over the years people have reacted with everything from amusement to confusion to disbelief to my references to my Evil Grandmother. I had two grandmothers, a Nice Grandma and an Evil Grandma. Sometimes when I would comment about something going on with one of my grandmothers, a friend who had heard me use the phrase “Evil Grandma” would ask if this grandmother who had done this annoying thing was her, and I would say, “Oh, no! This is my Nice Grandma!” And they would freak out, “What do you mean, this is the Nice Grandma? That doesn’t sound nice at all!” To which I would reply, “Let me tell you about my Evil Grandmother…”
Here is a mild example. My Evil Grandmother (who was my paternal grandma, i.e., my dad’s mother) believed that all mental illness was just the person selfishly vying for attention. There are a surprising number of people out there with a belief very close to this. Any person who responds to someone else struggling with depression or recovering from trauma by telling them to get over it, for instance. They don’t see it as a real illness that requires treatment or recovery, right? But my Evil Grandmother was even worse than that. My Evil Grandmother believed that epilepsy was the same. So when one of my sisters started having seizures, my Evil Grandmother was constantly undermining the doctors. She would scold my sister for having a seizure after the fact, for example.
Oddly enough, she also believed that mental illness was hereditary and a sign of poor moral character. Which she also believed was hereditary. When my parents finally were getting a divorce, after my Evil Grandmother found out I had told the judge that I definitely did not want my (alcoholic, physically abusive) father to have custody, she sat me down and gave me a long litany of all of the mental health issues that plagued many of my mom’s distant relatives. One example was a great-uncle who we would now say was suffering from severe PTSD because of his experiences during World War II.
Now, if I wrote a novel in which a woman who had a college degree and worked as the City Treasurer for many years and was a respected member of her community, who punished her nine-year-old grandchild for having a seizure on a day where said grandmother had prevented the grandchild from taking her prescribed medication, I would get irrate messages from people telling me that this was completely unbelievable.
But I would also get comments from people who would tell even more horrific stories from their own childhood.
This is just one example of why having a bunch of editors tell you a story is too far-fetched is not indicative that the story is, in fact, too far fetched.
The editors or critics may have a valid point that you, as an author, hadn’t done a proper job of laying the groundwork to help the reader suspend their disbelief, but it doesn’t mean the notion is objectively and universally unbelievable. Even if they focus on the groundwork aspect, they still may be letting their personal perspective override things.
For example, there’s the tale of the male writing professor who once gave a woman in his class the advice that merely showing that one character had raped a young woman was not enough to justify the young woman killing him later in the story. “You haven’t convinced me he’s truly evil. Show him being cruel to a dog or something to make this evil real.”
Being cruel to a dog is worse than raping a woman? Irrational disconnect much?
Preception isn’t just a matter of taking in the information offered. It is heavily influenced by our prejudices, past experiences, expectations, fears, and hope. This doesn’t mean that there is no such thing as objective reality, it just means that it takes a lot of work to sort through all that subjectivity…
And it means that there will always be some things no one will agree on. Likewise, there will always be some people who will refuse to see something, no matter how much evidence we provide.
This doesn’t mean they are hopeless, it just may mean that we have to walk away and expend our energy elsewhere.
I have two codas to the saga of my Evil Grandmother. First, 20 years after my parents’ divorce and the subseqeunt exodus of myself, Mom, and one sister to the west coast, Mom, Nice Grandma, and my step-grandpa took a road trip back to the town where my parents met to attend the christening of my oldest sister’s first child. At one point in the visit, Mom found herself alone with my paternal grandparents, her ex-in-laws. Mom told them that she was sorry that my parents’ marriage had ended the way it had. Grandpa admitted that saying goodbye to Mom, myself, and my sister when we left was the hardest and most painful thing he had ever done.
Evil Grandmother muttered something, and she had tears in her eyes. She cleared her throat a couple of times and eventually said something about the time for blame being past. Now, I should mention that long before my parents divorced, Evil Grandma, on two occassions, set up appointments for Dad with a divorce attorney without consulting him first, and tricked Dad into meeting her at the law office on pretexts to do with her business. When I say that Evil Grandma had wanted my parents to split, that’s an understatement. So, Mom took this “time for blame” as a way to change the topic and avoid taking any blame.
But then some more extended family members arrived, and as people were picking places to sit and talk, my Evil Grandma moved from the seat next to Grandpa, to sit next to Mom. And she grabbed Mom’s hand and in Mom’s words, “squeezed it like she was afraid to let go.” She didn’t say anything, and didn’t really join in with the rest of the conversation for the next couple of hours, but she refused to let go of Mom’s hand. And later, when Mom needed to leave, Evil Grandma gave her a hug. Her eyes were full of tears again, and she murmured, “I’ve missed you all.”
Mom said that she decided that that was the closest Evil Grandma could come to saying she was sorry.
Second coda: About ten years after that I was out with friends at a bowling party when my phone rang. It was a call from one of my aunts. She was at a hospital with Evil Grandma. Evil Grandma had had both a stroke and some sort of heart issue. She’d been revived and was on a resporator, but she was alert and had demanded the my aunt call me. I need to add here that when I came out of the closet in 1991, other than one handwritten note that said, “I hope you’re happy now,” Evil Grandmother had stopped talking to me (and I would later learn she had forbidden other family members from mentioning my name in her presence). My aunt handed the phone over Evil Grandma. Because of the resporator, she had to speak in short bursts. She could speak on the exhale then wait for the machine to push in the next breath. She said my name. I replied, “Yes, Grandma it’s me.” She repeated my name on the next two exhales, and each time I told her it was me and I could hear her.
I, meanwhile, was moving to try to find a quiet place thinking the noise of the bowling alley was confusing her.
Finally she said, “I love you.” And I replied that I loved her. She repeated it a couple more times, and each time I replied. I was sobbing at this point. How could I not be? No matter what had happened between us, here she was, possibly on her death bed, using perhaps her dying breaths to reach out?
After about the fourth ‘I love you’ exchange, she said. “I know you…. I know you do… but do you know…. do you know… I love you?”
I said, “Yes.” She repeated my name and said “I love you” again, and then my aunt was back on the phone.
That turned out not to be her deathbed, but she had at least one more stroke before being released from the hospital, and her ability to talk was severely impaired for her remaining years.
But, Christmas cards started arriving every year. The outside of the envelopes were clearly addressed by the aunt who was caring for Grandma by then, but the inside always had very jittery writing that was clearly Grandma’s. Some years Christmas presents (usually ornaments) would also arrive, sometimes with Grandma’s writing on the tag. There was sometimes be a note from my aunt saying that Grandma had seen it in the store and wanted to get it for me because it reminded her of something I had once talked to her about as a child.
One is left wondering, which her was the real her? Is it simply that years of regret and an acute awareness of her mortality caused a change of heart? Is such a deathbed conversion, as it were, believable? Or as much a product of our hopes and wishes?
I know she had always been extremely concerned with keeping up appearances and not doing things that would make the right sort of people look down on you. So had she been suppressing inconvenient feelings for years–feelings that went counter to her hopes and aspirations–and only later in life as neurological changes occurred she started letting them out?
Wrestling with these questions have not led me to stop referring to her as my Evil Grandmother. She just did too much too many times to hurt people–often people she should have been protecting. But I am reminded of an observation which I once put into the mouth of one of the characters in one of my fantasy novels: “Evil isn’t something you are, it’s something you do.”
Yep, it’s a weekend.
Even though I love the show and have watched it faithfully for five years, I wasn’t very surprised when Brooklyn 99 was canceled by Fox. One of the things the show excelled at (besides doing diversity right) was tackling important issues in a thoughtful way that was still funny hell. And let’s face it, diversity, thoughtfulness, and nuance are not exactly in Fox’s wheelhouse. Which isn’t to say the Fox’s entertainment network doesn’t carry diverse show. What I mean is that the people who make the business decisions are less likely to feel sympathy for such shows. No matter how much executives (at any network) may insist that it’s just about numbers and the bottom line, you can point to many examples of shows with worse numbers being kept around. Bias and sympathy do figure into how they see the numbers.
Goodbye, ‘Brooklyn Nine-Nine.’ And thank you. It is a great show it is funny, and I agree with Mark Hamill who said on twitter that it was one of the great workplace comedies of all time, up there with shows such as The Mary Tyler Moore Show and Taxi.
Fortunately, the twitter storm and fan petitions and praise from famous actors and comedians seems to have paid off: ‘Brooklyn Nine-Nine’ saved by NBC and Brooklyn Nine-Nine Cast Praises Fans After NBC Saves Canceled Fox Show: ‘You Did This!’.
It is worth noting that among the NBC executive comments quoted in the various articles about the show is a reference to the fact the Brooklyn 99 was a show created and produced by a division of NBC-Universal, and sold to Fox originally. Not being a show that Fox made internally means that profits from syndication deals for reruns are not as high as they would be for a show of similar popularity that had been wholly owned by Fox. This also probably figured into NBC’s decision to give the show a 13 episode sixth season. They get a lot of good PR out of the move, will presumably get acceptable ratings for those 13 episodes, and will get just a little bit more out of syndication having these additional episodes int he can.
I fully expect this to be the final season of the show. I suspect the writers and show runners will think of it that way: write a good send-off that leaves a possibility for continuing, but don’t count on it.
Related: I think it was not good that a number of fans who were screaming, before the NBC announcement, about their fave show being removed were doing so by denigrating other shows. First of all, come on, don’t attack things other people like merely because you don’t. It doesn’t matter how much you may dislike another series (whether it be movies, TV shows, books, whatever), that doesn’t mean that there are not people who genuinely like it. It’s okay to critique, especially if a show is overtly racist (I’m looking at you, Roseanne reboot) or gratuitously misogynist (and now looking at you, Supernatural), but dismissal is not the same as critique.
There other thing, it isn’t really relevant. The shows most people were mentioning were not Fox shows. At least if you’re going to make an observation about, “How dare they cancel my fave while keeping X on the air” choose something that involves the same they. Pick something that Fox is keeping on the air to make your comparison to, like the very derivative 9-1-1, for instance.
Anyway, at least those of us who love the show will get some more Brooklyn 99. I can just quietly sob in the corner over hear that we can’t say the same for another of my favorites: Fox Cancels Fan Favorite Lucifer After Three Seasons.
Now let’s have a couple things that are more typical for a weekend update: Anti-Gay Former Michigan Assistant AG Loses Appeal To Keep His Law License. I’ve written before about this self-loathing closet case who target, stalked, harassed, and encouraged others to harass and send death threats to a young gay man who had been elected student body president of the same university the assistant attorney general had graduated from years earlier. Note that the guy used state equipment to do the stalking and to post the online harassment, as well as doing a lot of it when he was supposed to be working. In one incident, when neighbors had called in the suspicious car that had been circling the block where the student lived, the guy lied to police saying that he was staking out someone for a legitimate investigation.
Originally the Michigan Attorney General claimed to have investigated the instances and said the guy was merely expressing opinions. Then, after the parents of the harassed gay student were interviewed on TV about the incident, a prosecutor announced he would run against the AG to clean up the department (and polls showed he might win), then suddenly the AG asked an semi-retired judge to perform an outside investigation. While that judge couldn’t reveal the specifics of the original internal investigation, his own report indicated that all the evidence necessary to justify firing the assistant AG had been contained in the first investigation. Anyway, the anti-gay assistant AG was fired, then disbarred, and now he’s lost his last appeal of the disbarment.
Couldn’t happen to a more deserving guy.
Now, let’s hope that something similar happens to some school officials: Oregon school allegedly forced LGBTQ student to read Bible as punishment. Before anyone points out that there is a hearing coming up, please note that in the initial official report, the administrator who is disputing that these incidents constitute discrimination has admitted that the student was forced to read the Bible as punishment. So there isn’t really an “allegedly” there. The administrator and supervisor are only disputing that this and other incidents don’t count as discrimination. They aren’t denying that the things happened.
This is a public school, therefore a government-run institution, and the Constitution conservatives claim to love prohibits the establishment of religion, which means while acting in your official capacity you can’t use your religion to justify actions, and you sure as hell can’t force people to read your holy book to try to convince them to agree with you. Which, when you make a queer kid read the parts of the Bible you think condemn homosexuality as “punishment” of the crime of complaining about being called a faggot on school grounds, is clearly what the school official was doing.
The Oregon Department of Education has already made the finding that these incidents probably (duh) violate the state’s anti-discrimination law and the Constitution. I sure hope the ACLU is involved and these administrators get sued into oblivion.
So frequently friends will tell me about how awesome a particular horror film is, and I’ll just smile and nod.
There was one movie, however, that people kept bringing up again and again. Not just people I knew. Army of Darkness, I had been assured be even a few critics, was a masterpiece of cinema–hilarous and scary all at once. And the star is Bruce Campbell, whose work I had loved in The Adventures of Brisco County Jr, for instance.
I should mention that for the most part, horror and related stories almost never cause me to have bad dreams. And I have written stories and designed gaming scenarios that has caused more than one friend to scoff mightily at the idea that I can’t watch scary movies without nightmares. What can I say? I don’t think it should be that surprising that things I see only in my own imagination will have a different effect on me than things I actually see with my eyes.
Eventually, my friend Sky and my husband Michael convinced me to watch Army of Darkness. I sat on a couch between them, and I am not ashamed to say that at times I was clutching both their hands, and I hid my face in a shoulder during some of the bloodier scenes.1
But I also laughed my ass off. It was wonderful! The film is a great and irreverent take on the notions of chosen ones, reluctant heroes, and merciless evil. It finds so many ways to put humor into situations no person would be expected to survive.
And, yeah, I had a few nightmares that week, but fortunately not the kind where I was screaming in my sleep or shaking my husband awake.2
In case you aren’t familiar, Army of Darkness is a sequel. In 1981 Sam Raimi, Bruce Campbell, and a bunch of friends (include Sam’s brother, Ted) made a lowish budget film The Evil Dead, in which Campbell first played Ash Williams. The plot is that a group of five college students go to spend a weekend at a cabin, find an old tape recorder, play the tape which proves to be a voice reciting from the cursed Book of the Dead. The spell unleashes a bunch of demons that possess members of the cast, mayhem ensues. The mayhem got gorier and gorier as things when along. As the possessed cast kills each other off, their bodies (and sometimes only parts of their bodies), are reanimated and continue to cause ever more grisly, brutal deaths.
A few years later, with a bigger budget, they made Evil Dead II which begins with a reshot and re-edited summary of the first film then picks up where the first left off, with Ash battling both the demonic books (now renamed Necronomicon Ex-Mortis) as well as the demons it summons.
And then Army of Darkness follows Ash’s adventures when he was magically transported by the 1300 where he has to fight an entire army of the evil undead, now given the name Deadites. The third film amped up the humor significantly, with a lot of the horror elements used more for comedic effect. It was still scary, though. This film was by far the most successful in the series.
A fourth film, titled simply Evil Dead is kind of a remake and kind of not. Bruce only appears as Ash in an after credits scene.
As time went on, I became a bigger and bigger Bruce Campbell fan. Not such a big fan that I went back and re-watched the earlier movies, nor the recent remake. But when a couple years ago it was announced that Starz would be showing a horror comedy series based on the series, I was quite excited. Because of the licensing and distribution deals that the Raimi brothers and Campbell had made to get the later films produced, they couldn’t make direct references to the most successful of the movies. They could reference the plot and characters of the original film, and use some elements (the name Deadites and Necronomicon Ex-Mortis), but that left them plenty of room.
Ash vs Evil Dead picks up the story of Ash as he’s well into middle age, using cheesy stories of how he lost his hand (in the first movie he had to cut it off because it was been possessed by a demon, while somehow he remained in control of the rest of his body) to seduce random women in bars. In an alcohol- and pot-fueled haze, he allows one of these women that he persuaded to come back to his small trailer, to read “poetry” from his old book, and evil is back.
What I love about the character of Ash Williams is just how much of a hero he isn’t. He’s a pathological liar (who is usually bad at it), he hits on women constantly, he says lots of casually racist and sexist things, he boozes too much, he drives while drunk and stoned, and so forth. He occasionally tries to run from the danger, but somehow he always manages to pull himself together and try to kick evil’s ass.
It’s a style of anti-hero with a long career in storytelling. I find it fascinating how closely Ash fits the mold of Samson (yes, the Old Testament Biblical character). The Biblical Samson is not, by any means, a holy guy. In the original Hebrew scripture, the word for “to have sex” appears a few dozen times in total–nearly two-thirds of the use of the word occur within the portion of the book of Judges sometimes referred to as the Samson saga.
Seriously, one of those Biblical stories involves Samson partying at a brothel for hours. The Holy Scripture literally says that he screwed every single woman in the brothel so many times that they were sore and some could barely walk and they pleaded with him to go home. Drunk, Samson staggers through the city. But the gates of the city have been locked, and the Philistines have set an ambush, intending to jump him while he is drunk and worn out from all the sex. But before they can, Samson simply tears the gates down and stumbles home.
And this is my favorite part: the scripture says he dragged the gate behind him for miles without remembering that he still had hold of it, and only midway home noticed, and he tossed it into the middle of the field before sneaking into his mother’s house and crawling into bed.
Ash Williams of the Evil Dead series doesn’t possess Samson’s legendary strength, but he manages to survive being beaten, battered, flung great distances, burned, stabbed, run over by demon possesed vehicles, et cetera, et cetera.
Yes, the series was crazy and gory, with literal buckets of blood being spewed all over the actors and sets. But it was also hilarious. Although the Deadites are undead, the show isn’t a zombie story. For one thing, the Deadites are fast. They aren’t mindless. The demons that inhabit the corpses are able to access the memories of the deceased, so they taunt the heroes along the way. They make plans and concoct schemes.
In other words, they aren’t a mindless threat, they’re actually bad guys.
I’ve had a lot of fun watching Ash’s adventures on the small screen the last three years. I was sad to learn that it wasn’t being renewed, but also happy for all the laughs we’d gotten along the way. Bruce has announced that he is retiring this character—if there are any more Evil Dead stories to tell, Ash Williams (or at least not this Ash) won’t be a part of them.
That’s okay. Ash showed us that you don’t have to be perfect to be the hero. He’s earned some rest.
1. I’ve learned there are things I can do to reduce the severity of nightmares I’ll have after watching a scary movie. Watching on a small screen helps. Being able to pause or walk away when things get too tense is extremely helpful.
2. I’m more likely to wake him up by saying something angry than to scream, truth be told.3
3. I also have gotten better and making myself wake up. Seriously, just a few weeks ago a dream started to have some elements from one of the gorier scenes in a recent episode of the series, and me in the dream said, “No, I don’t not want to have this nightmare! No!” And I woke.4
4. I didn’t wake my husband up in the process, so I don’t know if this was one of the times when I said outloud the thing I was saying inside the dream, but there have been occasions in the past where I did exactly that.
There is a flip side to this concept of being bounced out of the story. It is implicit in the relationship between a reader and a story that when one first opens a book (or opens a reading app, et cetera) the reader is ready to give the story the benefit of the doubt. Which isn’t to say that a reader is obligated to keep reading if they don’t enjoy the story or it becomes confusing or whatever. It just means that for the first sentence or so the reader will accept what is being offered.
Different readers have different definitions of that initial willingness to accept the story. I once had an English teacher insist that a good story shouldn’t begin with a compound, complex sentence. An arrogant smart aleck student in the class1 pointed out that the classic novel, A Tale of Two Cities, opens with a single very long sentence:
“It was the best of times, it was the worst of times, it was the age of wisdom, it was the age of foolishness, it was the epoch of belief, it was the epoch of incredulity, it was the season of Light, it was the season of Darkness, it was the spring of hope, it was the winter of despair, we had everything before us, we had nothing before us, we were all going direct to Heaven, we were all going direct the other way – in short, the period was so far like the present period, that some of its noisiest authorities insisted on its being received, for good or for evil, in the superlative degree of comparison only.”
One reason that opening works is because it doesn’t sound, in one’s head, like a run-on sentence. It has almost a musicality to it that builds and builds as it goes along. My favorite bit is the “we were all going direct to Heaven, we were all going direct the other way…”
Somedays when I read the news, I find myself convinced that we’re all going that other way and in a handbasket of colossal proportions.
But occasionally that handbasket induces a few giggles. Such as #CockyGate: This Romance Novelist Trademarked the Word ‘Cocky’: And now she’s threatening other writers with legal action if they don’t change their book titles and The #CockyGate Trademark Kerfuffle. The article gives more details. An intellectual property lawyer working with the Romance Writers of America has filed a petition with the Trademark office to invalidate the trademark on the word (and it is possible this will work; but the system has been inconsistent).
The notion that someone could trademark an adjective and forbid other people using that word in their stories (or even just the titles of stories) is a chilling one. I hope that, like the “space marine” trademark issue from five years ago, that this trademark bully will be stopped.
Because that’s what this is: bullying. The cocky author has been sending cease and desist messages to any other romance author who has used the word in a book title, including books that were first published long before she started writing herself. She’s been threatening to issue takedown notices to Amazon (just like the space marine trademark bully did years ago), which can result in lost sales as well as messing up their review and ratings histories, even when Amazon re-instates the listing. Also, some books were taken down when the cocky author contacted Amazon directly without first sending a letter to the author. The RWA and their lawyer has since contacted Amazon, to ask them to stop taking action on any cocky romance books until the legal matter is resolved. Fortunately, the books were restored.
It’s also a likely case of the Dunning-Kruger effect. This is the notion that incompetent people aren’t able to recognize their incompetence. In this case, I say that in part because of how the cease and desist messages are worded. Rather than having an actual lawyer draft the letters (which would cost money), she is writing her own, and her messages include the statement, “my lawyers have advised me that I will win all the monies you have earned on this title, plus lawyer fees will be paid by you.” Which clearly is not a statement a competent lawyer would make. The lawyer might say that if she prevails in a lawsuit that she might be entitled to the money earned and so forth, but they would never say they were even guaranteed to prevail.
And someone has already posted a parody book called, Too Cocky for the Law: Cockier Than the Rest (Cocky Legal Book 1), and have included the word cocky and many synonyms in the description. I have heard that the proceeds of the book are going to help with the legal fees of the trademark challenge, but I wasn’t able to confirm that.
I have been very tempted to create a parody e-book with the title Cocky Space Marine, but since I have crazy deadlines at my day job and a couple of fiction writing deadlines also looming, I really shouldn’t… even if the story almost writes itself…
1. It was me, all right.
I expected that moving from a residential neighborhood in the city to a suburb to be a bit of an adjustment. I wasn’t quite prepared for how quickly the new neighborhood became familiar.
There are lots of things that I love about the new place, and I’ve babbled about those things probably too much on this blog. For instance, the new place is bigger. We got rid of a lot of stuff before, during, and after the move, which helps make most of the rooms feel even larger than they were.
A few of the surprises are how quickly some of my driving habits changed. One of the major thoroughfares in the region is state highway 99, which is known as Aurora Avenue in Seattle, Shoreline, and Edmonds. Several of the other suburbs of Seattle label it Pacific Highway (which is nearly the same as old federal name for the highway as it existed before the founding of the Interstate System). Within the Seattle city limits, no U-turns are permitted on Highway 99. During the 32 years that I lived in Seattle, I always thought it was weird when I drove into suburbs either north or south of the city, to suddenly see “U-turn Permitted” signs at every intersection. It seemed like a quaint throwback to a bygone era. I’m not sure why. Maybe because so many places I’ve lived (not just Seattle) banned U-turns.
But in the city I now live in, most of the highway has a median with trees running down the middle of the road, rather than a turn lane that can be used to get to a business on the other side of the road. The u-turn becomes a necessity in that case, and since almost all the intersections where u-turns are permitted have stop lights, it isn’t a particularly risky maneuver. Now I find myself deeply affronted when I cross the city limit and start seeing the “No U-turn” signs.
I keep being a bit amazed at just how much I love the veranda. We had a small yard and were allowed to plant whatever we wanted in two flower beds, but the lawn was so small and right next to the sidewalk in a neighborhood that had a lot of foot traffic, I just always felt a little weird if I set up a chair and tried to read or something. Also, having no patio limited furniture options. Our veranda, a 38-foot long deck, is completely different. I have a lot more flowerpots and planters than I had before, and I’m growing a lot of flowers. We have more comfortable lawn chairs and a really cool folding wood table my hubby found at Ikea. So I can do things such as sit out on the veranda, enjoy the cool breeze, and watch the trees and squirrels while I type up this blog post on my laptop.
Then there’s cooking summer dinners on the stand-up George Foreman electric grill. A lot easier to deal with than digging out a grill from the basement, trying to set it up so it was level on the lawn, and having to clean it and pack away at the end. I can clean the smaller electric grill quickly and leave it out on the veranda each night. And yeah, in the summer grilling outside is very preferable to heating up the house further by cooking inside.
We have a lot more windows. And when I open a couple we get an immediate and very pleasant breeze running through the house. That’s not just about the number of windows, but also the open floor plan of the apartment and the fact that every window has mini blinds rather than very heavy curtains.
I was disappointed during the move when I found we would have to give up the sweet deal we had on internet and TV service with the CenturyLink fibre-optic service and Prism TV and have to switch back to Comcast. Funny thing, though, two years of having actual competition in many markets once it was ruled that the streaming services over internet, including Prism, didn’t violate the monopoly deals that the traditional cable companies have with many cities brought Comcast prices way down. I’m paying even less for internet and the parts of cable TV that I kept after the move that I was with Century Link/Prism — and Century Link/Prism had been literally half of what I had had to pay Comcast four years ago for comparable service. So that was a win!
Yeah, the package I have now has fewer channels… but I’m using Netflix and Hulu for a lot more shows, and their subscription rates added to the cable bill adds up to less than the previous price.
Another surprise was the refrigerator situation. I won’t bore you (further) with the story of how Ray and I wound up with our own fridge plus the one provided by the landlord at the old place (which Michael and I upgraded a few years after Ray died), but since there wasn’t really a good place for the second fridge in the new apartment (and it was getting old enough that it was going to need replacing soon) we were going to have to get by with just the one. I’d had two fridges for 22 years, and wasn’t sure how I’d adjust. Turns out the problem wasn’t fridge space, but freezer space. It was easy to adopt habits about the sorts of things kept in the non-freezer compartment, but we were constantly chafing at the lack of adequate space to hold the stuff I wanted to freeze.
There was an obvious solution, but we had to wait. When we were securing the new place, the property manager emphasized that the first lease period was considered probationary. So we decided that certain purchases would have to wait until we were offered a second lease. Those were: extra large planters suitable for planting my grandma’s irises in, a storage cabinet for the veranda, and a small chest freezer for that one spot in the kitchen.
Just how much relatively each of those things felt like a burden to both Michael and me? Well, while we were walking back from the property manager’s office a few months ago with a copy of our just sighed new lease, we said almost simultaneously to each other, “So, which freezer do we want to buy and when?” Less than 5 days later we had the 5.5 cubic foot freezer in the kitchen, and less than a week after that between us running on separate shopping trips we had filled it up. Now I have to check the freezer each time I leave the house to go to the grocery store to get a good picture in my head of what we could fit in there if I happen to find something on sale at a really good price.
I should also mention how much I loved, loved, loved being able to host the Christmas party at our place this year. There were a lot of things I liked about renting the suite at the hotel the last three years, but dang, I so love having my best friends under my roof at that time of year.
I can’t believe I’ve gone nearly 1500 words on this and not mentioned our library. Having a space to set aside and call The Library (though it is only most of the non-fiction books) and having enough room to re-arrange all the books and get them sorted in a way that we can find books without digging through piles of books in front of some of the cases is just wonderful. It doesn’t hurt that being able to geek out about book sorting with my husband fills me with a warm fuzzy feeling.
There are things I miss about the old neighborhood, to be sure. We haven’t found replacements for all of our old fave restaurants, for instance. And I’m still a little miffed at just how far apart the various grocery stores I shop at are now, compared to the old place. But, moving was good for many reasons. And I feel very lucky we found a place that we both like so much.