A couple months ago I had to read a bunch of “stories” which were actually just sermons. Which was extremely ironic since the author of most of those stories (and the people who put those and similar stories onto a ballot we’ve already discussed to death) all claimed that they had taken the actions they had because they were tired of reading stories with messages1.
Over dinner last night, my husband pointed out2 that C.S. Lewis, even when writing stories that were meant to be Biblical allegory, remembered that the stories had to be stories first: fully-rounded characters that you care about facing obstacles that seem insurmountable which they overcome through their own actions. And that made me realize that even Lewis’s Christian apologetic novel, The Screwtape Letters was less preachy than some of the other stories we were discussing—because even while discoursing on the nature of human imperfection in the form of letters from a senior demon to his nephew (who is a Junior Tempter), Lewis created a demon who was, as a character, sympathetic and relatable.
I’ve written about this before, during which I quoted (and disagreed with) a Christian filmmaker’s argument that all fiction has a message. The same argument has been being repeated by a lot of people in the discussions specifically about sci fi/fantasy writing, with a new variant: maybe none of us (of any political opinion) notice the messages we agree with because we are so passionate about the things we believe.
I think this is just as wrong as the earlier version. All fiction tells stories, yes, and those stories will embody the values of the author in many ways. I’ve given the example that part of my fundamental temperament is a refusal to accept a no-win situation4, and therefore even when I write grim stories with unhappy endings5, there winds up being at least some hint of a glimmer of hope somewhere in the tone of the story.
But the C.S. Lewis example belies that notion that all fiction is message fic. Yes, some people find the allegory of the Narnia books not to their liking, but I haven’t met anyone who’s read them who can’t explain the plot. Yet, I read scores of reviews of “Parliament of Beast and Birds” earlier this summer (by some very smart people) who couldn’t find a plot6.
So I remain firm in believing that if your story is a message, you’re dong it wrong. That isn’t how you make good art.
I agree that messages are to be found in stories. But they ought to be more like that one alluded to in the Neal Gaiman quote, “Fairy tales are more than true: not because they tell us that dragons exist, but because they tell us dragons can be beaten.” They are meanings that can be inferred by the reader. They are meanings that different readers will interpret in different ways. The interpretations of some readers can contradict the interpretations of other readers and can contradict the interpretation of the author.
Some readers will come away from the story knowing that dragons can be beaten. Others will come away convinced that wizards always find loopholes. Others will say that kings always find ways to take credit for other people’s work. Others may say the message is never to underestimate the damsel. And some, of course, will say the message is humans would rather kill an endangered species than learn how to live with them.
If the story is art, if the storyteller has done their job, the world of the story should be vivid enough and rich enough for readers to find and see all of those sorts of things in the tale. Which is what you want. You want the reader to be transported into a world that they will experience and interpret themselves. You want the reader to share your vision, yes, but you want that vision to take on a life of its own and for the reader to find visions of their own.
That is the opposite of a sermon, whose goal is to bring a person around to thinking the “right” way. To adhere to the truth as defined by the speaker.
I want my readers to run through the imaginary world and find new things that I never dreamed of.
1. Which is why many of us reviewing those stories commented along these lines: “Oh, Puppies, just because you agree with the message, it does not make the work any less message fiction.”
2. We were on the subject because he had been reading one of his favorite sci fi zine sites and had gotten pulled into the comments section of a book review, if I recall correctly3.
3. I was into my second glass of my favorite wine at my favorite restaurant, so I am probably getting the details wrong.
4. Intellectually, I know that lots of situations are no-win, but there’s always that one voice in the back of my head arguing that we should just spend a little more time and try something else…
5. And despite the fact that more than one reader has accused me of being a hopeless optimist who writes everything through rose-colored glasses, I actually have written more than a few tragedies.
6. Or figure out what the story was supposed to be about7.
7. Quick sum-up: imagine an idiot savant has read some Aesop’s Fables and then binge-read the entire Christian apocalyptic snuff-porn series, Left Behind8, and then attempts to write fanfic of it.
8. To be fair, much of the New Testament’s Book of Revelations is treated as snuff-porn by a lot of Xtians I knew growing up. One of them was me. It was my grandfather who pointed out to me that I was spending all my time and energy focusing on the end of the word, when god put us here to build each other up and make the world a better place.