What the heck does it mean when someone writes “coffee-colored skin”
I think the first time I ever read a story when the author described a character’s skin as “coffee colored” I was about 12 or 13 years old. And I remember pausing and thinking, “Is it plain coffee, or coffee with cream? And if it’s with cream, how much?” Because, for instance, I had one aunt who put almost a half a cup of milk or cream in her cup if she had it before pouring the coffee in, whereas one grandmother who made coffee only put a small dollop in hers, so the coffee was very dark. The description completely bounced me out of the story for several minutes while I puzzled over that. I eventually went back to reading the tale, but I had a difficult time visually the character, because I couldn’t decide how dark her skin was supposed to be.
I don’t remember the story, so I can’t go back and check, but don’t think any character other than her had their skin color described.
A few years later I was reading another story where the author described a character’s skin as coffee-colored, and also described another character’s skin as the color of cream. And I immediately imagined the second woman as albino, because I had a few classmates with that condition, and it was the only skin I had ever seen literally that color, right? I only thought that for a few minutes, then realized the author was being a bit metaphorical.
Anyway, a little later in the novel I noticed that most of the male characters had not had their skin described. One guy had been described at one point as “bronzed” and there was a reference to another man as being “red-faced” but their physical descriptions were not as detailed as the women. I was fifteen or sixteen years old at this time, and midway through the book I had started developing a crush on one of the male characters (though I didn’t quite realize it, since I was still deeply closeted and in denial about my own sexuality) and found myself being actively annoyed at the author for not giving my more of a description of him. Which I wanted to know purely for accuracy, and not at all for any lustful reasons, ahem.
Even with the frustration, it would be a few more years before I finally realized there was a pattern in lots of books, particularly when written by men: describe the women’s looks using various food metaphors, but virtually never describe the men in detail, unless those characters were supposed to be comical or villainous or otherwise disliked. Then, of course, the men would have various physical features that emphasized their inferiority to the blue-eyed hero.
And the hero was almost always blue-eyed, wasn’t he? Which should be another clue. Of course, I was a pasty-skinned blue-eyed cisgendered nerd myself, so it took me longer than it should have to notice just how skewed all these treatments, in the narrative, of characters of various genders and races were.
To answer the question in the title of this post: What does it mean when an author describes a character as having coffee-colored skin? Well, it means that the author is falling back on a cliche that is deeply steeped in racism. And since these descriptions are almost always reserved for women in those narratives, and the women’s characterizations all center on how attractive or unattractive the women appear to men in the story, it is also steeped in a whole lot of sexism and misogyny.
So you should avoid doing it.
And this isn’t about political correctness. It’s about bad and cliched writing. Seriously, I am not the only reader who will come across a description like that and stop to wonder what kind of coffee. Or if you use another food, no matter what it is, there will be some readers who are unfamiliar with it.
But it’s also pretty creepy to describe characters as food, as if they’re meant to be consumed—as if their appearance is the only thing they have to contribute to the narrative.
I know that I sometimes under-describe. I’m a more minimalist storyteller where my focus is on what the characters say and do; I only include description when I feel I have to. But, nothing should be in your story if it doesn’t advance the plot, develop or reveal a character’s personality, foreshadow events to come in the plot, and so forth. And 99.9% of the time, a character’s appearance has nothing to do with those things. Yeah, you need to set a scene, and you want the reader to imagine the character while reading about them. But how much detail does someone really need to follow your story?
Let the reader fill in the details that don’t matter to the plot.
And don’t perpetuate cliches, whether racist, misogynist, heteronormative or not.