I watched the livestream of the Hugo Awards ceremony broadcast from DublinCon yesterday. When the feed wasn’t glitching or having other problems, it was great. And I got to squee live on twitter about some of the wins. The ceremony flowed well, the setting was nice. The music choices were good, and the co-presenters Afua Richardson and Michael Scott did a lovely job. More than a couple of moments brought tears to my eyes. There was also a lot of laughter. So, good ceremony, and as I indicated when I talked about trying to finalize my ballot, we had so, so many excellent nominees in every category that no matter who won I was going to be happy.
Before I comment further (just in case you haven’t seen the list elsewhere), here are the winners.
2019 Hugo Award Winners:
Best Novel: The Calculating Stars, by Mary Robinette Kowal
Best Novella: Artificial Condition, by Martha Wells
Best Novelette: “If at First You Don’t Succeed, Try, Try Again,” by Zen Cho
Best Short Story: “A Witch’s Guide to Escape: A Practical Compendium of Portal Fantasies,” by Alix E. Harrow
Best Series: Wayfarers, by Becky Chambers
Best Related Work: Archive of Our Own, a project of the Organization for Transformative Works
Best Graphic Story: Monstress, Volume 3: Haven, written by Marjorie Liu, art by Sana Takeda
Best Dramatic Presentation, Long Form: Spider-Man: Into the Spider-Verse
Best Dramatic Presentation, Short Form: The Good Place: “Janet(s)”
Best Professional Editor, Long Form: Navah Wolfe
Best Professional Editor, Short Form: Gardner Dozois
Best Professional Artist: Charles Vess
Best Art Book: The Books of Earthsea: The Complete Illustrated Edition, illustrated by Charles Vess, written by Ursula K. Le Guin
Best Semiprozine: Uncanny Magazine
Best Fanzine: Lady Business
Best Fancast: Our Opinions Are Correct
Best Fan Writer: Foz Meadows
Best Fan Artist: Likhain (Mia Sereno)
John W. Campbell Award for Best New Writer: Jeannette Ng
Lodestar Award for Best Young Adult Book: Children of Blood and Bone, by Tomi Adeyemi
The full voting statistics have also been posted and can be read here.
In seven of the categories this year, the nominee I had at number one on my own ballot got the Hugo. So that was fun! In three of the categories my second choice won.
I’m particularly pleased the Archive of Our Own, which is an enormous fanfiction repository, won in the Related Works category. I do have one quibble with some of my fellow members of AO3 (as we call it): you are not a Hugo Award-winner author. No matter how many of thousands of words of your fiction is in the Archive. Just as authors whose work was published in Uncanny Magazine this last year aren’t Hugo winners by dent of Uncanny winning the award; they are authors who have been published in an award-winning zine. Another way to look at it: Camestros Felapton compared the AO3 entity to a library: “It’s the library that’s being nominated, which includes its contents but which is not the same as its contents.” (emphasis added).
Yes, all of us who support, use, and contribute to Archive of Our Own should take pride in this win. But don’t go slapping a Hugo logo on your fanfic, all right?
I haven’t yet seen anyone grousing about AO3 winning. I saw a bit of that “Ew! Fanfic! ICKY!” when it was nominated. I saw more people trying to disguise their fear of fanfic cooties with arguments about why the Archive itself is not a “Work” in the sense necessary for the award. I think a number of us have already shown that it meets the definition.
One thing that I thought was more than slightly amusing elseweb was that one of the same people I saw arguing that AO3 wasn’t a “related work” was also upset about the Fan Writer category including people who get paid for some of their writing. There seems to be some sort of cognitive dissonance going on there.
Anyway, not only did AO3 win, but it won by a huge margin! Which means that a heck of a lot of Hugo voters thought it deserved the award.
What the AO3 win means to me is that a lot of fans value fanfic and the fanfic community. Which probably oughtn’t to surprise is, since the Hugos are a fan-voted award and this is a category that frequently goes to fannish writing. But because people who dislike fanfic are so very vocal and persistent in their criticism, it’s easy to get the impression that fanfic isn’t popular. Just as the many critics of certain sci fi movies we could name makes us forget that millions of people had to buy tickets to said movie in order for it to make the amount of money it did.
It’s a variant of the True Fan Fallacy. The argument is that the wrong kind of fans like it. And to them I say, “Shove off!” The rest of us are here to talk about what we love and to, you know, actually love this stuff that we all claim to love. Because we’re fans—a noun derived from the word fanatic, because we are filled with sometimes excessive enthusiasm.
I am so happy for all the winners. I am even more happy that we had so many awesome stories to choose from this year. I really do wish we could give a rocket to all of them.