Tap, tap, tappity-tap-tap-tappity-tap!

A Smith-Corona Silent-Super typewriter in the Easter Pink color scheme, virtually identical to my Mom's former typewriter, the one I learned to type on.

A Smith-Corona Silent-Super typewriter in the Easter Pink color scheme, virtually identical to my Mom’s former typewriter, the one I learned to type on.

My husband got me several cool presents for my birthday, but the best one just arrived late last week. It’s the typewriter pictured here.

I’ve been trying to acquire a Smith-Corona Silent-Super portable typewriter in the bright pink with white keys for years. See, my mom owned that model of typewriter since her teen years, so I grew up with that typewriter in the house. And at the age of ten, when Mom decided that she was not going to be typing up any papers for me when I got to that stage in school, she sat me down with her old typing text book and started teaching me to type. I achieved a typing speed of a bit over 60-words a minute on that machine by the time I was in middle school, and being able to hit such speed on a mechanical typewriter is why my computer typing speed is about 105 words per minute.

And the Silent-Super was a dream. It was regarded by many as one of the best typewriters ever made. Mom’s was in great shape, with a touch so light and well-balanced, you felt almost as if you could have typed just by blowing on the keys.

Smith-Corona made the Silent-Super, and similar models such as the Silent Standard and Silent Writer, in a variety of colors. The most common, going by how many you can find for sale on line decades later were seafoam green and sterling blue. There was also grey, black, peach, flamngo pink, tan, chrome, and apparently a small run of gold-plated ones. The flamingo pink was a much darker pink that the Easter, and the highlight stripes, Smith-Corona logo, and other writing embossed on the colored parts of the case is red. The peach is a slightly orange-y pink, with the stripes, logo, and other words in a tan color.

PinkSmithCoronaI typed a lot of stories on Mom’s Silent-Super. Then my paternal grandmother gave me her old ’52 Remington Letter-Riter, which was a much heavier (and therefore sturdier) machine. The Letter-Riter was the machine on which I wrote the first story that I sold professionally, and I kept using the Remington as my primary writing instrument until 1986, when I finally started using Word Processors.

I was always envious of Mom’s Silent-Super, and sometimes just enjoyed looking at it when I visited. Mom’s typewriter, unfortunately, fell prey to her second husband’s substance abuse problems. Several things she owned mysteriously vanished over a period of time, and when he went into rehab (after she had started divorce proceedings), he admitted that he had pawned or otherwise sold most of those items.

Since I collect manual typewriters, I’ve always wanted to add an Easter pink Silent-Super to my hoard. Because far fewer Easter pink models were produced than the other colors, and because the Silent-Super is so light and easy to type on compared to many others, usually when I do find a working model on line, it’s way more expensive than I ought to pay for a nostalgic hobby piece (example: the last one I bid on on ebay, I dropped out of the bidding at $300; the winning bid was more than twice that).

After removing the bubble wrap, including inside the typewriter.

After removing the bubble wrap, including inside the typewriter.

My husband found this one for sale at a lower price. The description and the pictures indicated it was not in mint condition, but the seller (who buys, restores, and sells typewriters full time) said it worked, and they had a good reputation. It wasn’t a surprise present, because Michael was afraid it was the wrong model. So I knew it was coming, and I knew that it might need some work.

When it arrived it took a bit to unpack. The folks who sent it certainly do know how to pack it so that none of the moving parts will move during shipping. I took some pictures, then called Mom to tell her that I’d finally gotten my big present. She asked what it was, and I said “Here’s a clue,” and started typing. She was very puzzled as to why Michael had gotten me a typewriter. Somehow, she had forgotten times before when I’ve told her about my collection. I sent the pictures, but for some reason they weren’t arriving, so I told her.

Several of the keys are bent.

Several of the keys are bent.

She was only moderately enthusiastic while we talked about it—until the other pictures finally popped up on her phone. Something about actually seeing the keyboard again had a completely different emotional affect than my simply telling her it was the same model and color as her long gone typewriter. Then she was, “Oh! My typewriter!”

Inside, some of the type heads won't fall all the way back to a resting position. These do NOT correspond to any of the uneven keys on the keyboard.

Inside, some of the type heads won’t fall all the way back to a resting position. These do NOT correspond to any of the uneven keys on the keyboard.

The people who restored it sent a short document (typed on the typewriter itself), explaining some of the extra levers and so forth. I found that part amusing, because I know all of this models quirks and extra features quite well. They explained that the typewriter mechanism was completely frozen, no keys would type at all, when they got it. They had to soak it in penetrating oil, clean it out, then with light machine oil, then degrease it, and another treatment with penetrating oil before all the keys would moved. Then they re-lubricated everything with light machine oil. Based on my examination of the parts inside, my guess is that the uneven keys simply had their arms bent by someone pressing really hard when the mechanism was completely seized.

A couple of the type heads don’t lay flat as they ought. It doesn’t seem to affect the typing, so I don’t think I’m going to mess with them. The uneven keys should be fixable just by bending, though you want to do it in a way that doesn’t bend other parts of the mechanism attached to each key. So I’ve acquired small needle-nosed vice grips and some other tools, and will work on the keys.

Saturday night I did some more cleaning, added some more light machine oil to three keys on the far right that were still a little stiff. Typing those keys repeatedly after adding the extra oil helped.

And while I was at it, I got out the rest of my typewriter collection. I spent most of the evening cleaning my old 1952 Remington-Rand Letter-Riter. It’s the one I’ve owned since I was a teen-ager, and before that was owned by my grandmother. It is the one in the most precarious shape, as many parts broke on it, and 17-year-old me did most of the repairs myself, with materials I had on hand and no budget.

There will probably be more posts on the topic of the other typewriters.

The latch on the case barely worked. Michael took it apart, figured out what was wrong, and put it back together. It is still a little tricky, but I can actually reliably latch it, now.

It’s been a long time since I hosted or arranged a round-robin event. I may have to do that sometime soon, now that I own five typewriters.

Regardless, I am now almost certainly going to do at least one day of NaNoWriMo on one of the typewriters. Just for fun.

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About fontfolly

I've loved reading for as long as I can remember. I write fantasy, science fiction, mystery, and nonfiction. I publish an anthropomorphic sci-fi/space opera literary fanzine. I attend and work on the staff for several anthropormorphics, anime, and science fiction conventions. I live in Seattle with my wonderful husband, still completely amazed that he puts up with me at all.

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